Russias Fight for Identity Essay -- Geopolitics, History

In 1829, Petr Chaadeav began to write his Philosophical letters. He initiated Russia’s search for national identity. He was a major figure in the development of Russian intellectual history. The impact of the letter shook and changed the thinking of Russia. It argued that Russia was worthless and socially behind. Chaadeav was very harsh in his letter and appears to be bias. He made valid points but they are not entirely true. The evidence shows that Russia was indeed a bit imitative but they were not the only country in search for national identity. Though Chaadeav’s letter was very harsh, it gave Russia a sense of originality. Russia established their identity and is distinguished by their culture. Russia’s literature and art was big contribution to the world’s progress though they were seen to be unoriginal. Petr Chaadeav summarized his nation’s history as â€Å"a brutal barbarism to begin with, followed by an age of gross superstition, then by a ferocious and humiliating foreign domination. † He continued by sayong â€Å"we are alone in the world, we have given nothing to the world, we have taught it nothing. We have not added a single idea to the sum total of human ideas; we have not contributed to the progress of the human spirit. † The Letter electrified Russian creativity: Many called Chaadeav insane, but he was very intellectual. Chaadeav’s statement about law codes â€Å"No one has a fixed sphere of existence; there are no proper habits, no rules that govern anything † insisted that Russia’s law codes were non-existent. This is not entirely true. As stated in the previous paragraphs, the Table of Ranks is a prime example implemented by Peter the Great. Laws made by Catherine and the â€Å"Russkaia Pravda † are also great examples of law... ... country in history is truly original. Every country has taken ideas from another. Whether its religion, law codes, slaves, etc.no idea truly belongs to on country. Works Cited Kaiser, Daniel H., and Gary Marker. Reinterpreting Russian history: readings, 860-1860's. New York: Oxford University Press, 1994. Print. (tags: none | edit tags) Kaiser, Daniel H., and Gary Marker. "Society: The Lowere and Middling Estates." Reinterpreting Russian history: readings, 860-1860's. New York: Oxford University Press, 1994. 295. Print. (tags: none | edit tags) "Polnoe sobranie sochinenii i izbrannye pis'ma,." Russian Intellectual History: An Anthology.. Moscow: Nathaniel Knight , 1991. 90, 92-93. Print. (tags: none | edit tags) Turgenev, Ivan Sergeevich. Sketches from a hunter's album. Complete ed. London, England: Penguin Books, 1990. Print. (tags: none | edit tags)

Team Case Critique

Electronic Arts is an American based company it mainly markets and produces computer and video games. It’s widely recognized for developing brilliant sports games along with this it also produces a wide variety of different games for the consumers. Moreover it manufactures the games fulfilling the requirements of all the platforms that is it does not restrict its games for the usage of one platform only.It is a profitable and prosperous company, however in the present days it is suffering as there are some great concerns regarding its business. For this purpose the board would advice the CEO that the company should bring a change in its strategies in order to thrive in such a competitive and demanding environment the company should firstly look towards the creation of downloadable games of this will not only increase the sales of its games but also reduce the costs of physically making the game, the handling and inventory of the games.More to add Electronic Art should work on establishing an online platform where games are available for being downloaded, although this will cost the company some amount but the increase in revenue that will be generated by the sale of the games online will be completely worth the efforts. Additionally making small versions of the game will also be favorable for the company as converting the larger versions into mini versions does not require much additional resources.This way the games can easily be downloaded to wireless devices such as the mobile phones and I pods, which will be an added source of income for the company without incurring a great deal of added costs. There is a price ceiling that exists in the game market of $59. 99 the platform manufactures do not wish to increase the price beyond that, these console manufactures have great power to influence the prices. The only way Electronic Art can shatter this price limit is by producing innovative and distinguished games.By offering product differentiation only wil l the manufactures be able to set their own prices for their product instead of being under pressure by the console manufacturers. For this purpose the company should look to towards attracting fresh and young talent and merge them with the experienced teams that have made the name of the â€Å"popular games† a huge success in the market. The company’s statistics show that the top 100 games are responsible for 50 % of the sales for the company this means that the rest of the games for which money is spent on is simply wasted as it does not prove to be fruitful for the company.The company should adopt a strategy of producing limited games but doing a lot of research and development for the making of these games this as this will lead to a greater possibility that these games will be a winner in the market. This will provide opportunities for the company to cut down its costs and use its resources more competently. We also agree with valuing the employees and develop str ategies to retain the talented and experienced personnel of the organization. As a result we should provide the employees with enhanced monetary and non monetary benefits.Profit sharing with the employees is a great idea as that will make the employees feel a part of the company and encourage them to use resources more wisely. Try to coordinate employees to work cooperatively and come up with out of the box ideas and strategies. In our opinion the company should not discontinue usage of celebrity endorsement to promote the games but to limit it as far as possible in order to keep costs within a limit. Unnecessary and excessive celebrity endorsements should be avoided as this leads to increasing the burden of costs for the company.To resolve the issue of the high royalty fees charged by the console manufacturers EA should look forward with having negotiations with those companies. The companies should be told that Electronic Art is willing to pay for the royalty fees when a game is l ucrative in the market but in those cases where the games are not doing well in the market the console manufacturers should not take royalty fees from those games as the dealing for those games would be mainly to recover the costs and settle at breakeven.Special incentives such as supplementary royalty fees should be provided to the console manufacturers if the games are unbeaten and are doing a flourishing business. This incentive will help to motivate the console manufacturers to agree to Electronic Art’s offer. Starting off with small console manufacturer is a good idea as that enables to convince those manufacturers easily as they rely on Electronic Art’s games.They should motivate the console manufacturers that by following our company’s proposed recommendation regarding the royalty fees both of our companies will grow together this way. The future strategies have to be based on lowering costs but increasing revenue, but at the same time not compromising on the entertainment factor the games provide. The including of inbuilt advertisements within the game is a great source of revenue and also doesn’t distract the attention of the gamer.Advertisers are ready to market their products and services in such a manner as it is a fabulous way to subconsciously advertise a company’s product and services. Furthermore the suggestion of providing opportunities for the improvement the characters online with a small amount of fee is quite impressive. As many gamers will be willing to enhance the style and functionalities of their characters and with a small amount of fee numerous customers will be wanting to avail this facility which will lead to increased revenue for the company.After the company attains substantial success and generates enough funds it should focus its attention on developing multiplayer games, as these games require a great deal of capital to be developed. Hence firstly the company should expand by all those means that do not call for a significant amount of excess funding then move on to those projects that need a great deal of investments. Moreover the company should think of implementing other major projects which include virtual simulation when they have enough financing as these types of games also require ample of resources.Additionally in the long run the company could also work on coming up with its own platform, however this decision has to be taken quite carefully and vigilantly as there is a risk of losing out the customers if this strategy proves to be unsuccessful. At present the company’s strategy should be to capitalize on the sports section of the games in which the company is fine and move forward with the innovative and creative ideas that develop in the company that do not require a high level budget, later on it should move on to extensive projects when Electronic Arts has loads of funds to commence them.Summary Electronic Arts is a company that manufacture a wide v ariety of games for many console manufactures, online use and mobile phone devices. It specializes in the development of sports games . The company has its headquarters in America and it has been a giant in the game business and has come up with several of â€Å"super hit â€Å"games for the industry. It is recognized for a company that comes up with creative ideas and innovative games by altering the graphics, animation, programming, etc.The company is facing certain issues at present ant the only way to get back again is to develop certain strategies and act on them as soon as possible. Due to increased restrictions from the console manufacturers the company should also focus its attention to provide games online and on mobile phones as these steps will enhance the prosperity of the company. Additionally Electronic Arts should come up with original and new games, those games will be differentiated and then Electronic Arts will have the opportunity to charge more on those games.T his will help to diminish the price ceiling that exists in the market as Electronic Arts will be able to influence the price of the games. The company should try to negotiate with the other console manufacturers to remove the royalty charges incase the game does not do well in the market. Furthermore, the company should look for further ways to increase the revenue and cut down costs for the company.Inbuilt advertisements within the games and providing gamers the opportunity to upgrade the characteristics of the characters with a small amount of charge, these tactics will enable the company to generate added revenue. In the future when Electronic Arts has sufficient funds it should look towards emphasizing on multiplayer games and games with simulation effects. At present its strategy should be focused on increasing revenue while keeping costs within boundaries. Reference: 1) Website: www. ea. com Date accessed 1 July 2008

My Childhood Hero Essay

Every child has a hero, someone they look up to, someone who guides their thoughts and influences their life. My childhood hero was Belle from the fairytale, The Beauty and the Beast. As a child, I watched the movie end to end and read the book countless times, losing myself in her magical world so completely that I actually began to know the lines by heart. I never once got bored of it and frankly, right until today, Belle is still my inspiration. Though I first admired her for her outer beauty, I then began to look up to her for her inner beauty. She was portrayed as such a happy young woman, helpful and loving and with a warm smile for all. Her ability to be everyoneÂ’s friend, to sing such delightful songs always made me happy and feel like part of her world, not just an on-looker. I actually used to wish that Belle would come alive and be my friend. However, the main reason Belle became my hero was because of her sacrifice. Her willingness to let go of all she knew and loved to save her father has never ceased to impress me. This truly showed me the depth of her love for her father and taught me the value of family and parents. Besides depicting BelleÂ’s loving side, her sacrifice also gave me an insight to her courage. She braved the hound dogs in the mountains and continued with what she started out for, as a sacrifice to the beast who resided in a huge, deserted palace in the loneliest part of the mountains. It was through Belle that I learnt the importance of patience, endurance and perseverance. She had the courage to face the beast, to endure his fearful sight and to bear the brunt of his volatile temper just to save her fatherÂ’s life. Not only that, Belle was also able to see through physical countenances and fall in love with the ugly beast instead of shunning him away and marrying the handsome but shallow Gaston. To me, Belle was and still is someone I want to be. I always wished to grow up to be the way Belle was. I related to her through our common passion for books and loved her for who she was. Through BelleÂ’s final victory where the beast transformed back to a Prince and Gaston got defeated, she became my image of how the good and righteous always triumphs over the evil. The magic  within the tale and the “happily ever after” ending has given me a reason to belief in the unbelievable, to have faith and truly trust the existence of a greater power. The true love between the Beauty and the Beast is why I dream of my Prince charming finding me one day. BelleÂ’s heart of gold made her my childhood hero. Ten years have passed and unabashedly I confess that she is still my role model and I still do hope that I am able to be as admirable as her. Who says fairy tales are for kids?

Essay on Bede’s Ecclesiastical History of the English People

England has always been a strong point of Christianity, as such, the difficult times that came from the conquest of the territory by the Romans up to the moment when finally Henry VIII decides to separate from the Vatican and â€Å"their deceptions†; making of England one of the most important places where Christian history has been made.During such times of change, despite the different forces that shaped and misshaped the path of faith and religion in England, some conducts remained unchanged such as the belief that a person should focus only in what was adequate according to the standards that the Vatican had stated that were adequate.The first four chapters of Bede’s book only refer to England in the way it was formed, the benefits and paradisiacal surroundings that both England and its surrounding neighbours had to offer in terms of water, soil, vegetation and even animals. In the first book, Bede makes a strong point of reference in the martyrdom that British Chri stians suffered at the hands of the Roman conquistador empire. It is interesting the difference between other martyr books and references to the ones that Bede states in the book. Jack 2Here, therefore, the head of most courageous martyr was struck off, and here he received the crown of life, which God has promised to those who love Him. But he who gave the wicked stroke, was not permitted to rejoice over the deceased; for his eyes dropped upon the ground together with the blessed martyr's head. (Bede, Book 1:VII, 51-52) Other accounts only make strong points of the punishment that God allegedly gives those who inflict the martyrdom in cases against the female virtue and those where the executor is a member of their own family.Though it is not evidently put, the writing of Bede actually infers that God will claim vengeance to anyone that dares raise an arm against His Flock. In the second book, Bede leaves behind the martyrdom that suffered the Brits at the hands of the Romans and d eepens into the creation of the modern day Britannica form of beliefs. It seems that as a result of the preceding changes and strength that the martyrs of days before provided the Christian belief in England gave the Church sufficient hold to unite then flourishing Kingdom by respecting religious festivities such as Easter time.It should be noted that by the time that Bede is making reference to evidently St. Agustin (or Agustine to some authors) makes no reference to an Irish saint: Saint Patrick that had sufficient leverage among the clergy of the time. Almost 300 years have passed between the death of Albas martyr and the next evident miracle in Bede’s book, the time when Bishop Mellitus by simple prayers suffocates a fire. Jack 3And thus the man of God, whose mind was inflamed with the fire of Divine charity, and who was wont to drive away the powers of the air by his frequent prayers, from doing harm to himself, or his people, was deservedly allowed to prevail over the w orldly winds and flames, and to obtain that they should not injure him or his. (Bede, Book 2:VII, 114-115) According to Bede it is only through the power of prayer and a meditative life, succumbed to the will, power and guidance of God (through the church) that any person can command any forces of nature and prevent damage, injury or even death.So far Bede has been able to demonstrate the power and benefits of being a truthful Christian to those readers without dabbling into politics. However, by book three, Bede can make a strong statement of this since Chapter I, when he states that a Christian king (Oswald) can restitute the faith of the people in the nation and in his own kingship. One of the most important things to remember when reading this book is that monarchies were believed to be granted by God Himself, thus it was a â€Å"divine right†.Most of Book three is devoted to two main characters: King Oswald who vaguely resembles king Arthur in the importance that he rece ives from this historian as a God following king who, happened to be so saint that even after being slaughtered in battle performed miracles. The other person of importance is Bishop Aidan who was a strong supporter of King Oswald’s piety actions, much like the wizard Merlin in King Arthur’s descriptions; this was a particularly important character in the development of the king’s ruling.Jack 4 However, it seems that when the kingdom lacked of religious stability, the worst circumstances were present: In the above ¬mentioned year of the aforesaid eclipse, which was presently followed by the pestilence, in which also Bishop Colman, being overcome by the unanimous consent of the Catholics, returned home, Deusdedit, the sixth bishop of the church of Canterbury, died on the I4th of July.Erconbert, also, king of Kent, departed this life the same month and day; leaving his kingdom to his son Egbert, (Bede, Book 4:I, 204) It seems interesting that a terrible disease such as pestilence (or plague) might have been deemed common enough not to deserve any of the religious teachings that the book of Bede is full of. There are no prayers that will stop or detain the disease in its tracks, but more over, it refers to mundane affairs such as the setting the affairs in order of a specific archbishop.Despite this, most of the book is full of miracles that happened during the pestilence, people who in their dying beds saw the Glory of Heaven or deaths that were simply â€Å"heavenly† with no pain or misery. Naturally, as the book progresses in dates, other important events happen; such as the assassination of royal heirs, though not in the way that Shakespearian artists would do, but simply stating that anyone who knows the basis of Christianity will deem his or her Jack 5life in little value because the promise of everlasting life would conquer their hearts in a moment. Finally, book five speaks of basically the same things than the other four boo ks, nonetheless, chapter XII has a significant detail: Having stood there a long time in much dread, not knowing what to do, which way to turn, or what end I might expect, on a sudden I heard behind me the noise of a most hideous and wretched lamentation, and at the same time a loud laughing, as of a rude multitude insulting captured enemies.When that noise, growing plainer, came up to me, I observed a gang of evil spirits dragging the howling and lamenting souls of men into the midst of the darkness, whilst they themselves laughed and rejoiced. Among those men, as I could discern, there was one shorn like a clergyman, a layman, and a woman. (Bede, Book 5:XII, 286) The importance of this description is the imagery that it gives, since this description until our days souls in purgatory damnation have been depicted in the same way and even using the same three human elements: The clergyman, the layman and the woman.Nonetheless, the entire chapter portrays a vision quite similar to the one that Dante provides almost 600 years later: An afterlife divided into sections that are populated by those who are â€Å"less than perfect†, â€Å"barely repented† and â€Å"outwardly evil†. Just like Jack 6 Dante, the visionary in Bede’s book five chapter twelve has a guidance that explains things to him so that he might return to life and tell everyone. What is the truth? Well, it is difficult to state it.According to the Bible, Jesus came to earth to create a final covenant, one of the eternal love and forgiveness; nevertheless, the Church had gone out of their way to create an environment of fear and uncertainty. During the time of Bede, it is evident that Church in England used hell and purgatory as means of control and coercion both in social and political atmospheres. Undoubtedly, the use of these â€Å"boogie men† for the society in early Christianity and the first years of medieval era was beneficial providing church and rulers with s ufficient authority to handle and create empires.Would it work nowadays? Yes it will as it has begun to work with the new age belief; the uncertainty of what lies beyond the natural death is something that will present a problem in the human mind; as a result, whatever we can find that will soothe us will become a leverage for those who provide it to us. Jack 7 Works Cited Bede, Ecclesiastical History of the English People, Penguin Classics, revised edition, May 1991. Bede, Ecclesiastical History of the English People, Oxford, Clarendon Press, 1969 Internet medieval source book November 30th,2008

Mosquitoes

William Faulkner's Mosquitoes is a roman à   clef featuring some of the people and locations Faulkner encountered while staying in New Orleans as a young writer. This paper will examine the relationship between the upper class and the artists and the relationship between the upper class and the workers. In particular this paper will examine the actions and character of the two main characters: Mr. Gordon and Patricia Robyn, as well as a most interesting character Ernest Talliaferro.Faulkner stages much of his novel aboard a yacht so that they won't have contact with other members of society. In literature the use of isolating the characters from society is not uncommon for example Huckleberry Finn by Mark Twain, Shakespeare's The Tempest and Agatha Christie's Ten Little Indians and The Mousetrap. By separating characters from society, the author is able to focus his or her attention on the people as themselves, almost as if he or she were isolated for a laboratory experiment. Mosqui toes provides Faulkner a forum to examine the artistic life in contrast to the life of the members of the beautiful people and the workers. In particular Faulkner examines the creative growth of the artists and the lack of growth of the part of the others on the cruise (Atkinson, 8).Faulkner stocks his novel with characters representing three groups or perhaps communities of society. He represents the artists with of Dawson Fairchild, a novelist, Mr. Gordon, a sculptor, Mark Moore, a poet trying to â€Å"nurture a reputation for cleverness,† Dorothy Jameson, a painter and Eva Wiseman, a lesbian poet (Fitzgerald 39). Also included with this group is Julius Kauffman who at times serves as a narrator such as when he relates the life story of Mrs. Maurier, hostess of the cruise   or as the philosophic pathfinder for the artists' discussion throughout the book.Among the social elite are Mrs. Maurier a social dilettante who is quite wealthy and a hanger-on of artists, her twin ni ece and nephew Patricia, who is the catalyst for much of the book's action, and Josh Robyn who are visiting from Chicago, and Ernest Talliaferro who is the conduit between three classes. He is a member of the working class as a buyer of women's clothes for a local department store, he is friends or is at least known by some the artists who don't really seem to care too much about him, and visits with Mrs. Maurier who also appears to not care about him except for his ability to provide access to the artistic community.The novel is written in six major sections days 1, 2, 3, 4, a prologue where Faulkner gathers up his characters and an epilogue where he returns them to their individual places in society. The sections, Day One through Day Four take place largely Mrs. Maurier's yacht the Nausikaa. In Homer's Odyssey Nausikaa was a young woman, daughter of the king, who found Odysseus and brought him into her city to care for him. In Mosquitoes Mr. Gordon represents Odysseus and Patricia Robyn is the analogue of Nausikaa.Mr. Gordon is a sculptor. When the novel begins, Gordon has just finished a sculpture. It represents his ideal woman. It is of a young woman with small breasts who has no head, arms, or legs. Mr. Gordon has sculpted the piece from his imagination rather than using a model. At this time he has little interaction with others, artistic or otherwise.Shortly after the novel begins, Mrs. Maurier, Patricia Robyn, and Ernest Talliaferro visit Gordon's studio and see the new sculpture. The reactions of both Patricia and Gordon are plot points in the novel. When she first sees Gordon's sculpture Patricia believes she recognizes the statue as being of herself, â€Å"[i]t's like me† (Faulkner 28). Mr. Talliaferro describes it more eloquently â€Å"[d]o you see what he has caught? . . . The spirit of youth, of something fine and hard and clean in the world† (26-27). Mr. Gordon is very interested in Patricia in relationship to his sculpture. He exa mines â€Å"her with growing interest her flat breast and belly, her boy's body. . . . Sexless, yet somehow vaguely troubling. Perhaps just young, like a calf or a colt† (Faulkner, p. 26).Throughout the book there is a sexual tension between Gordon and Patricia. When they are swimming he twirls her around and throws her into the water. She is thrilled, â€Å"for an instant she stopped in midflight, . . . high above the deck while water dripping from her turned to gold . . . the last of the sun slid upon her and over her with joy† (Faulkner 72).Ultimately it is Patricia and to a less extent, Mrs. Maurier who provide the artistic growth for Mr. Gordon. Just as Nausikaa rescued Odysseus from the sea, Patricia rescues Gordon from his previous tendency to work without a model, working from his mind using ideal types that don't exist in reality. When Mr. Gordon sees her in her young, self-centered state, he realizes he must work from real life. He makes a mask of Mrs. Maurie r. This is significant because it is the first time, as far as the reader knows, that Mr. Gordon had sculpted based on a live person rather than his personal artistic ideal.His growth and change of artistic inspiration to the real world are punctuated in the Epilogue where he walks the busy night streets of New Orleans with Fairchild and Kauffman drinking and celebrating their epiphany of working within society. Gordon leaves the book when he decides to visit a bordello looking for a real woman instead of a fantasy woman (Hepburn, 21-22).Throughout the play Patricia has an androgynous quality about her. Despite her sexual appeal to Gordon and later to David West the ship steward, Patricia is always described as â€Å"hard and firm and sexless† (Faulkner 140). In many ways she seems androgynous, neither male nor female. Although she will flirt with men, kiss them and even run away with them, whenever she feels she is not in control she brings the interaction to an immediate ha lt. She is the female part of the person she and her brother make together.At times they will call each other â€Å"Gus† as if Gus were the real person and Patricia and Josh were just partial personae of Gus. She lies next to her brother for part of the night of day four because she wants to be near him. He will be leaving for Yale the next day where she not be nearer to him than living in an apartment in New Haven. While lying together she asks him â€Å"[d]idn't you do something to that boat† (Faulkner, p. 261.The yacht had gone to ground and was unable to move for three days, making certain they were uninterrupted by outsiders. This was caused when Josh removed a rod in the steering mechanism, but Josh denies it, â€Å"I never hurt—I never was down there except the morning when you came tagging down there (Faulkner, p. 261). Yet he quickly tacitly admits his guilt when he asks if Patricia has told their aunt.By the second day Patricia is bored with being a l iving ideal and looks for diversion. She decides to go swimming and coaxes David West, the steward to go with her. While swimming he is aroused by her, he â€Å"looked up at her with an utter longing, like that of a dog.† On day three they leave the ship and try to cross the swamp and get married in Mandeville. Their excursion into the swamp, struggle to find the road and the way to Mandeville with David West seems to foreshadow for Patricia what her life might be if she were to give up her place in high society and marry into the working class.She wouldn't be able to bear it. She would use up her working class husband, working him until he collapsed from exhaustion. It isn't long before Patricia treats West like an animal. She is done slumming with the working class and decides to take charge just as her social position permits. She demands, in the face of reason, that they take the direction she chooses when they arrive at the road. This seems to indicate that she realizes she has chosen the wrong way by leaving the boat, representing wealth and high society.She literally rides him into the ground as he carries her when she is too tired to walk. When they discover they have been walking the wrong direction, West collapses. Ultimately they find someone to give them a ride back to the Nausikaa, but she insists on paying with her own money. As a consequence of what David and Patricia went through together David quits his job and is gone the next morning.A curious thing is that Patricia seems to the only one troubled by mosquitoes. Almost exclusively she is the one who â€Å"angled her knee upward and outward from the knee, scratching her ankle† (Faulkner 23). It is she that â€Å"suddenly slap[s] her leg when she and West are planning to enter the swamp. It is Patricia is so badly bitten by mosquitoes that West puts his shirt over her to protect her (Faulkner 150). Of all of passengers, she is the one that is most irritated by the pesky â€Å"mo squitoes† of life.One last point about Patricia that should be made has to do with the evening when she first met Mr. Talliaferro. As Mr. Talliaferro prepares to leave Mrs. Maurier and Patricia for the evening Patricia calls him â€Å"Mr. Tavers.† This is apparently his real name and the incident shocks him. His entrails feel cold because of her statement (Faulkner 31). This writer tried on numerous occasions to find a resolution to this puzzle but was unable to do so. The nearest indication that might solve this puzzle appears in the description of Talliaferro (Faulkner 32) â€Å"[t]hey never did know what became of Mr. Talliaferro's sister.† This might indicate that Faulkner had initially intended to make some previous connection between Patricia and Talliaferro through his missing sister, but failed to do so in the final version.This event provides a segue to a most interesting character: Ernest Talliaferro. Mr. Talliaferro is a tiny man, eager to please, unwi lling to make waves, but eager to spend time with artists, particularly Dawson Fairchild. He is a buyer for the women's clothes department at a local department store. He married young, was widowed young and set about making himself over. He â€Å"did† Europe in forty-one days and cultivated friendship with artists and members of society, such as Mrs. Maurier. He lacks confidence, often apologizing and knocking into things. He is eager to date women but finds himself unable to get up the nerve.Frequently he seeks Fairchild's advice. On the second day of the cruise Fairchild tells Talliaferro that he isn't â€Å"bold enough with women . . . I don't mean with words. . . . They ain't interested in what you're going to say: they are interested in what you're going to do† (Fitzgerald 96). Sadly, but a bit amusing, Talliaferro takes this advice to heart and tries to implement it with Jenny the attractive young woman whom Patricia invited to attend. On the second day Talliafe rro finds Jenny sleeping on the deck.He tries to wake her â€Å"[w]ake princess with kiss† (Faulkner 109) this causes her to awaken but she is terribly frightened. However she does dance with him later that afternoon and things go smoothly until day four when the guests are trying to free the boat and Talliaferro is overcome with desire and grabs her and pulls her with him into the water. Naturally, Fairchild thinks this it is funny that Talliaferro has implemented his advice in such a boisterous fashion and laughs about it. Unfortunately, Talliaferro has not learned his lesson and repeats his efforts in the â€Å"Epilogue† only to be disappointed again. By the end of novel Talliaferro has retreated further into himself and seems to have no interest in a relationship with a woman.Although Faulkner never uses the â€Å"M† word in this book, it is clear by the scratching and slapping that there are both literal and figurative mosquitoes. As mentioned above, Patric ia suffers from bites from mosquitoes. Most of characters suffer from pesky, annoying irritations throughout the book. The artists are irritated by the way in which the non-artists want to parade them around on the cruise like some sort of show pony. Talliaferro is irritated due to his inability to successfully seduce women, Josh Robyn is irritated that Major Ayers does not believe that he is making the pipe for fun. Naturally Ayers is upset because he wants to market the pipe, and Robyn will not help him do so.It is in part due to the irritations that Gordon, Fairchild, and Kauffman grow. Prior to the cruise, they had lived their lives working when they could and trying to avoid the pesky little mosquitoes fostered by the non-artists. By the time the cruise has ended they have realized that these pests provide much of the motivation and interest in life. In essence, they have changed their philosophy of art from â€Å"an aesthetic ideology of formalism as part of a larger expressi on of cultural conservatism (Atkinson, 6)Unhappily, no one else appears to have changed much other than these three. Mrs. Maurier is still the social matron, though she is quite angry with the artists. Patricia Robyn has returned to the self-centered, sexless, hard person she was when she first appeared in the novel. When she says good-bye to the poet Mark Frost, she is just as cold to him as she was to Gordon when she first met his him. Mr. Talliaferro, the wonderful, Chaplinesque man, is still frustrated. He has had no success trying to seduce a woman. However Faulkner tells the reader that Talliaferro was to be married soon. Sadly, he does not appear to tell Ernest.The conclusion that Faulkner draws with this book appears to be that artists need to explore life, down and dirty. However, his apparent conclusion that non-artists will not grow is parochial and hopefully false. This smacks of the self-centered arrogance a young, gifted writer might have before he and his craft mature . Summary of â€Å"Faulkner's Mosquitoes: A Poetic Turning Point†By Kenneth Wm. HepburnHepburn's thesis in this article is that there was a turning point in Faulkner's writing that occurred not with Satoris as many scholars have alleged by with Mosquitoes published two years earlier. The author tries to establish that â€Å"the poetic which finally involves from the structural considerations of various artistic strategies is both necessarily prior . . . and central to the development of† the open-ended poetic of Faulkner's more famous novels (Hepburn 19). To prove his thesis, Hepburn focuses his study on Sections Nine and Ten of the â€Å"Epilogue† (Faulkner 277-288). In the first of these sections Hepburn contends that three of the artist, Gordon, Fairchild, and Kauffman undergo the greatest change. They are walking the streets at night through the â€Å"seedier streets† of New Orleans (Hepburn 20).   In this section each of the artists, Gordon, Fitzge rald, and Kauffman make the transformation from artists that were polarized from each other to artist are more in congruence. In this section there is a parable of three groups, priests, revelers, and rats encounter a dead begger [sic] clutching a piece of stolen bread.The priests in their â€Å"thin celibate despair† (Faulkner 277) and the revelers engage in an orgy-parade cannot be bothered with the dead begger [sic]. Only the rats can appreciate him by â€Å"dragging their hot bellies over him, exploring unreproved his private parts† (Faulkner 281). According to Hepburn the parable indicates that these three artists have changed and recognize â€Å"[o]nly the artist who is willing to wade into life will ever be able to confront it with any intimacy and accuracy† (Hepburn 23).It is evident that Hepburn has interpreted these sections correctly. What is not evident is why Hepburn views Mosquitoes as a poetic turning point. What he appears to prove is that Mosqui toes provides a needed prerequisite to his later writing. This need not signify a turning point but rather may be just one more step along the path toward becoming the writer Faulkner   would become in subsequent years. Works Cited Atkinson, Ted. â€Å"Aesthetic Ideology in Faulkner's Mosquitoes: A Cultural History. The Faulkner Journal 17, 1(2001: 3-18. Faulkner, William. Mosquitoes. London: Chatto & Windus, 1964. Hepburn, Kenneth Wm. â€Å"Faulkner's Mosquitoes: A Poetic Turning Point.† Twentieth Century Literature 17, 1 (Jan. 1971): 19-28.

Review of health news article Essay Example | Topics and Well Written Essays - 500 words

Review of health news article - Essay Example This article is very relevant to our course for many reasons. One, it is not enough that we gain sound knowledge of diseases and finding ways to cure them; moreover, we must see how these diseases afflict the mindset of society. Although media has its own noble intentions to inform the public, it must not declare ahead before public health officials have properly disseminated such information. Dr. Colfax was valid in his argument that protocols should not change in treating people with AIDS. It can be inferred from his statement that medical professionals have different attitudes in treatment especially when resistance has developed. For one, training for doctors and other health professionals are not yet adequately prepared by the government for this kind of scenario. Assuming it becomes a mini-epidemic, government officials would start blaming those responsible for this issue while patients suffer in the midst of the controversy. In short, the government’s health agency should immediately prepare programs that can arrest the growing problem. Training and funding must be given importance so that the situation would not go out of hand. Although training and research does not seem much of a concern to America, we cannot deny the financial burden this problem can add to the growing health insurance concerns. Indeed, the AIDS problem has become complicated. The article also noted that this kind of situation is a challenge for developing countries which is an obvious statement. However, we must realize that many migrants from developing countries have also settled in this country. In fact, San Francisco has a high rate of migrant population which makes their problem our problem too. Lastly, I am hopeful that advances in the field of research would be able to arrest this problem. The only unfortunate thing is the affordability of these new drugs so that poor people with drug-resistant strain of AIDS would be able to access medication

Principles of coaching and practice in sport Essay

Principles of coaching and practice in sport - Essay Example The autocratic dominance on older and more proficient athletes was related to a relationship to coaching behaviors that emphasized negative feedback as opposed to positive encouragement (Coach burn out). As the athlete becomes more accomplished their loss of control can be perceived as dominance. At the other end of the scale is the democratic style of coaching. In this style, the coach mandates the overall goals and training requirements of the athletes. The athletes have more freedom to choose and make suggestions for their training as well as the strategy of play. The democratic coach will consider these inputs from the players and weigh them into the final decision. Professional players who have reached a high level of competency may be allowed to simply play the game using their own best judgment. As with the autocratic style, the democratic is also broken down into two subgroups. These are the sharing and the allowing style. In the allowing style, the athletes are given much greater opportunity to make their own decisions on the training and objectives. In both groups, players choose the training session and the coach approves it based on rationality and safety. This style is appropriate where the players have sufficient skill and experience to make independent decision s. It may also be a useful style when the outcome is not highly critical such as participation simply for leisure activity. One such coaching method is the command style. The coach is a commander and the player is the receiver of the instruction. According to Brian Grasso (n.d.), President of Developing Athletics, "Coaches who display this habit believe that coaching success is based on how well the athlete can reproduce the skills as taught or demonstrated by the coach". This style can be effective in a sport where technical movements or standards must be met such as figure skating. However, it mandates that the athlete be open to total trust in the coach and their subsequent decisions. This style has been criticised because it fails to account for the various learning methods that young players may use as well as their individual needs. Coaches who are involved with highly trained and well-organised players may take the Laissez